Newberry Art Tutorials
This is a portrait of a friend, architect Joseph Castro, with dark brown leather as the backdrop.
Any complex subject is visually chaotic; with incongruent shapes and lots of details. When you look at something like a person’s face or a panoramic landscape there are a million things to look at – out of all that stuff which do you draw/paint? One of the fun and great challenges for an artist is to organize this chaos in a meaningful way through the use of visual rhythms.
Joseph in conversation would often raise his eyebrow and curl his lip. I noticed how these two things curved into arches, and arches would become the visual theme.
Visual rhythms are made up of similar or complementary angles, contours, or lines.
In the process of composing painting I was looking for shapes and lights that could “double” for an “arch.” Was it possible that I could accent an arch of the lip, nose, brow, collar, or ear?
The more I looked for them the more I saw “arches” everywhere. A consequence of looking for rhythms is that you don’t get lost in details but are constantly looking over the whole painting.
Here you can see all the rhythms of detail of shapes and light I was seeing in his face. I would like to mention that I was not making them up where I did not see them in real life.
The folds in the leather background were perfect for finding more “arches” to accent and to integrate the whole painting.