An American Journey

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My show Intimacy at the White Cloud Gallery, Washington, D.C. Nov 3 – Dec 14, 2017

Art Universe

Last year I was painting life-sized nudes, mostly monochromatic, in my Idyllwild cabin with my dog Frida for company. It was like living in a dream, get up in the morning, enjoy my coffee, and then enter into the universe of art. As I painted, I would play music in the background, listening to complete sets of Beethoven’s Symphonies and Handel’s Oratorios, or binge on the complete series of Star Trek Next Generation and Voyager. I was exploring new and challenging ways to express love, myth, and beauty on the canvas. One challenge was how to paint an explicit lovers’ embrace in order to capture their primary feeling of love. Another challenge was creating the deepest space I have ever done. In creating this body of work, I felt my prayers to contribute to a better world being realized.

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Colors of Light and Shadow

Light and shadow are two of the most challenging problems facing a painter. Painters can’t harness real light and shadow; instead they must rely on subtle gradations of color to create the illusion.

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Rembrandt, Self-Portrait, 1634. Galleria degli Uffizi

In general, I use “light” in painting to mean all those areas which are directly lit by a light source.  For example, in this Rembrandt self-portrait most of his face, the glow behind him, some of his hair, and the front of his coat are in the light. The “shadows” are all those areas which fall outside of the light. To demonstrate the division between light and shadow, I cut and pasted squares of color taken from this painting, and divided them into two groups below.

 

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