There is a smoky quality to dark pastel paper that has a depth and softness of the infinite. I am surprised that some conceptual artist hasn’t done a show using store bought pastel paper with nothing drawn on them. Nonetheless the paper calls for light, and I try to leave much of the original paper to give a depth and mystery to the shadows. The bowl’s cast shadow on the left and background right are almost pure paper. If I draw careful gradations of light from a smidgen lighter than the paper to the brightest lemon-white I create a hierarchy of tones which in turn is a part of giving the feeling of light. An equally important but overlooked part of drawing/painting light is to place the marks through space, like stepping stones from beneath our feet that extend off in the horizon. Combining the dusky shadows, light, and depth transforms flat paper into an alternative reality. This bridge is what I find magical about art.
To see more my Pastel Archive.