The Age of Delusion: Jerry Saltz, 2018 Pulitzer Prize for Criticism by Michael Newberry

It’s a shame that Duchamp’s cynicism, Kant’s aesthetic nihilism, and the CIA’s misguided and malicious underwriting of Abstract Expressionism and its shills combined to foster hope of greatness to talentless, pretentious hacks. In his frank assessment of his art, Saltz is completely right. Expertise in drawing and painting, a grounding in art history, and vision, all those elements need to be mastered to become a great artist. Yet, instead of doing the massive introspective and technical work necessary, Saltz opts for a scapegoat. Truth is to blame.

The Great Fraud, How Postmodernism Abuses Art

The Tufts project by Jenny Polak does two things that are classic postmodern sabotage. They use the esteemed status of art, made possible by great artists, to elevate a protest to a grander status. And by dedicating their reputation, resources, and their art department to juvenile protest posters scattered around the campus they suck the life out of aesthetic innovation, advancement, and the soul of art.