If Art is About Evolution WTF is This? The 2020 Guggenheim Fellowship Winners

josh-blackwell 2020 Guggenheim Fellowship Award Winners

At least Marcel Duchamp was clever.

Though he was a silly old cynic he knew how to play devil’s advocate and he didn’t mind throwing away any talent he might have had. His Nude Descending a Staircase has its interest, Duchamp took the concept of overlapping sketches and turned them into a painting. Hardly original because that honor would go the Chauvet Cave painters. He was honored because he threw everything away so he could disintegrate in to crustiness. A dream the disgruntled have at their most disgusting low points and which normal people watch in morbid curiosity. The 2020 Guggenheim Fellowship Awards for “Fine Artists” would be a tribute to Duchamp except the judges, referrers, and artists have no self-awareness. If they did they would not inflict their anti-humanism on the public.

Continue reading “If Art is About Evolution WTF is This? The 2020 Guggenheim Fellowship Winners”

Did Thutmose Sculpt the Mask of Tutankhamen?

PortraitStudyOfAmenhotepIII-ThutmoseWorkshop_EgyptianMuseumBerlin

Today in writing the sixth chapter of my book Evolution Through Art, the section on the great Egyptian sculptor Thutmose, circa 1350 BC, I was struck by the similarities of this sculpture of Tutankhamen’s grandfather, Amenhotep III and the famous Gold Mask of Tutankhamen. But I am wondering if the portrait study is not Amenhotep III but a life study of Tutankhamen?

Continue reading “Did Thutmose Sculpt the Mask of Tutankhamen?”

3rd and 4th in the Animal Lifted Embargo Series by Michael Newberry

Newberry, San Miguel, 2020, oil, 9x12”
Newberry, San Miguel, 2020, oil, 9x12”
Newberry, San Miguel, 2020, oil, 9×12” I taught a workshop in Mexico sometime ago, this was on the way to San Miguel de Allende from San Luis Potosi, originally there were no horses, I just painted them in today. Haha, before you complain they don’t look like horses, they are only 1/4″ high in the painting, I am not a miniaturist. I think they look cool regardless.
Newberry, Teton Twilight, 2020, oil, 9x12”
Newberry, Teton Twilight, 2020, oil, 9×12” This was from another workshop I taught, in Wyoming. The inclusion of the horse does something interesting: it completes the pair of trees in a nice rhythm. It also gives a jolt of life to the landscape. In a very tepid way I am giving a hint of romanticism to the landscape.

With this Animal Lifted Embargo Series, I am refining my hierarchy of subject values. Humanity is at the top, consequently, I paint/draw individuals filling the universe of the canvas or paper space. Animals are a far distant second place, recently insignificant, but I am now enjoying placing them in landscapes as minor players. It makes me feel peaceful and the experience of painting them feels a bit magical. If I made them the same size as humans (allowing perspective truth etc) I would be extremely uncomfortable with that.

Michael Newberry, Idyllwild, 3/7/2020

Book Idea: Psychological Aesthetics and the Exciting Fight to Evolve by Michael Newberry

Willendorf Venus c. 28,000 BCE – 25,000 BCE Discovere 1908 near Willendorf, by Josef Szombathy, Naturhistorisches Museum, Vienna, Austria

Beyond Obstacles, Malevolence, and Ignorance 

Willendorf Venus c. 28,000 BCE – 25,000 BCE Discovere 1908 near Willendorf, by Josef Szombathy, Naturhistorisches Museum, Vienna, Austria
Willendorf Venus c. 28,000 BCE – 25,000 BCE Discovere 1908 near Willendorf, by Josef Szombathy, Naturhistorisches Museum, Vienna, Austria

I have been thinking about writing an art book filled with stories, anecdotes, speculation on prehistorical art, real life experiences, and the knowledge of what is it is like to strive for the sublime. Today I started with the title and listing chapter headings.

Psychological Aesthetics and the Exciting Fight to Evolve: Beyond Obstacles, Malevolence, and Ignorance

Chapters

  1. Leaving One’s Mark: Taming Powerful Animals Through Capturing Them In Art
  2. Imagining the Next Step: Willendorf Venus or I Will See You Later Tonight
  3. Safety in Group Think, Their Fear of the Unknown and the Extent They Will Go Eradicate Evolutionary Nudges
  4. Wisdom, Truth, and Courage Within: Calibrating Perception, Evaluation, and Emotion
  5. To Be or Not To Be? To Break Free or to Conform?
  6. Tears, Love, and Visibility: The Alternate Universe
  7. The Art Instinct: What Makes Humans Unique Animals?
  8. Art is the Power That Religion Wants: Control the Artists you Control the Mass Psyche
  9. Art Transcends Agendas By Touching Individual Souls
  10. Power Without Wisdom Corrupts Completely: Michelangelo in the Quarry; Postmodernist Malevolence 
  11. Life or Death: Consequences of Integrity
  12. Freedom of the Sublime
Newberry, Where No One Has Gone Before, 2018, oil on linen, 64x46"
Newberry, Where No One Has Gone Before, 2018, oil on linen, 64×46″