Just published, available in Coffee Table Book and Kindle formats.
From the inside jacket cover:
Idyllwild Paintings is a journey from the indifferent art scene of Downtown L.A. to the granite mountains of Idyllwild. In danger of losing the meaning of being an artist, Michael Newberry sought a place to explore depth, death, love, and light. Inside are over 45 paintings of narrative, abstract realism, and larger than life-sized portraits.
Through new mentors he was introduced to evolutionary theories, sandwich techniques, and to his dog Frida. An abundance of studio time enabled him to explore painting techniques, color theory, and pushing the boundaries of two-dimensional space. He also explored the fragile inner workings of love themes and symbolism.
Throughout his experience the nurturing environment of Idyllwild’s people served to make what could have been a lonely life, one filled with love and visibility.
Note: Idyllwild Paintings was a labor of love, it is my pleasure to offer no mark up on the coffee table book.
There are two journeys that await everyone the physical one and the one of the mind.
As a kid, I grew up in a privileged, beautiful, and bitter place. La Jolla is and was one of the wealthier towns in the world. It was made up of designer homes, coves with sleeping seals, beaches, cerulean skies, tennis courts, eucalyptus trees with their dusty-sticky smell, and earth crystals one could dig out of the hillsides. And it was populated by sophisticated and rich business people, models, housewives, and BMW’s. Alcohol and divorces flowed a little too freely, and the sun shined after the morning fog.
My grandparents were made up of a German adventurer and a free-spirited Canadian, and a Hollywood flapper and a cigarette executive; both sets lived in Raymond Chandler’s Los Angeles. There are rumors of a touch of insanity in the family, something about the phantom uncle that died in an institution. Another story is that my German grandfather traveled from Argentina to Canada and courted my 18-year old grandmother, brought her down to Los Angeles and then married her. The same grandmother had the complete set of the Time-Life Library of Art books, the book on Delacroix was my favorite. I would spend hours looking at those books in their Mid-Wilshere bungalow with its streaming southern light casting rays of light highlighting tiny dust particles making them look like stars.
One of the more poetic events in The Fountainhead by Ayn Rand is when the protagonist, Howard Roark comes to watch Dominique posing naked for Mallory’s marble sculpture. The sculpture is of the human spirit destined for the Stoddard Temple. The three of them experience a perfect synergy of admiration, creativity, and beauty.
Further plot events see the destruction of the Stoddard Temple, one of the many painful obstacles Roark needs to overcome to continue his unique and innovative vision of architecture.
Stills from Song of Songs starring Marlene Dietrich and Brian Aherne
In a way, we can look at art history and see some patterns similar to The Fountainhead that include the beautiful nude, innovations, and the power of the creative artist.
Figure the Future
By Michael Newberry
Presented by The Atlas Society, 2008
Michael Newberry reflects on how the nude supports the best within us and shows that it has been present at the conception and implementation: of democracy; of systematic philosophy; and of art history.
0:17 Introduction by Robert Bidinotto
2:33 The Nude as the Personification of the Individual
The Status of Clothed Figures
Ramasus, Queen Elizabeth 1, Ingres, Millet, Whistler, Wyeth, Pearlstein, and Richter.
Thanks to Dana Ross for the video and audio.
About expressing being one with the Universe, anatomy, how does the light drive home the theme, color theory, and layers of techniques that merge with the theme.
Porn and art generate two classic human responses: “Art is in the eye of the beholder” and “I know porn when I see it.”
Sometimes these responses overlap such as in reaction to erotic Egyptian drawings, Ancient Greek wine vases, 19th century etchings and literature, and in 20th century erotic photos, movies, and adult cartoons. In these cases, we observe art with erotic touches or eroticism with artistic touches. What is the difference between them? And can we find the spot that divides them?
Erotic and Satirical Papyrus. Papyrus, Der el-Medina, New Kingdom, Dynasty XX (1186 – 1070 BCE). Turin Museum
Erotic scene on the rim of an Attic red-figure kylix, c. 510 BC.
Critiquing Art: Look for What is Alive
Courbet, The Painter’s Studio, 1855, oil on canvas, 12 x 20 feet
Representational art students are taught to be critical. During critiques, the stress is on the work’s problems. It is not uncommon to see students turning red with embarrassment or anger. Sometimes one will cry. Aside from a bully or two, most of them will accept the critiques as a necessary evil. “Grow a tough skin” is said to oneself and others. The idea is that in the art world only the tough survive.
I grew up on the beach and have been an artist ever since. I’m a figurative artist and my work explores light, love, and appreciation.
2) When did you first become familiar with Ayn Rand and her works?
When I was 19, my sister Janet—a world top-20 tennis player—told me she had a book I needed to read. That book was Atlas Shrugged.
3) What most interested you or hit you with an “Ah hah!” about Rand’s thinking?
I felt like Rand was giving me a pat on the back for being an artist. She has a very high regard for artists. It was like she was saying to me: “You’re doing a great job; keep going.”
4) How does her work inspire you today?
She’s a great champion of creators. Rand’s work is a reminder that it’s the creation that matters the most, not superficial things. That is inspiring.
5) Rand wanted us to aspire to a world as it can be and should be. Can you tell us something optimistic you see in the world today or in the future?
What a great question! When I started my career, there were only a handful of figurative artists and they were not held in esteem. Now there are thousands upon thousands of exceptionally good artists who’ve paid their dues and really learned all the skillsets to create incredible figurative works. This is a huge, monumental development and I think Rand helped to set the stage for it.
Advancements in Painting Light by Michael Newberry
Light delights us. In paintings is easy to see, but the development of it through history is anything but simple.It has been the focus of some of the world’s greatest artists. It is worthwhile to get a glimpse of some of the innovative artworks that advanced light in painting.