Just published, available in Coffee Table Book and Kindle formats.
From the inside jacket cover:
Idyllwild Paintings is a journey from the indifferent art scene of Downtown L.A. to the granite mountains of Idyllwild. In danger of losing the meaning of being an artist, Michael Newberry sought a place to explore depth, death, love, and light. Inside are over 45 paintings of narrative, abstract realism, and larger than life-sized portraits.
Through new mentors he was introduced to evolutionary theories, sandwich techniques, and to his dog Frida. An abundance of studio time enabled him to explore painting techniques, color theory, and pushing the boundaries of two-dimensional space. He also explored the fragile inner workings of love themes and symbolism.
Throughout his experience the nurturing environment of Idyllwild’s people served to make what could have been a lonely life, one filled with love and visibility.
Note: Idyllwild Paintings was a labor of love, it is my pleasure to offer no mark up on the coffee table book.
From Modern to Postmodern Art by Dr. Stephen Hicks, philosopher.
Dr. Stephen Hicks: Leading philosopher with wide-ranging insights from Postmodernism and Intellectual History. Dr. Hicks outlined the spiraling descent of postmodern art and argued that we must “look at the world afresh.”
“By the turn of the twentieth century, the nineteenth-century intellectual world’s sense of disquiet had become a full-blown anxiety. The artists responded, exploring in their works the implications of a world in which reason, order, certainty, dignity, beauty, and optimism seemed to have disappeared.”
“The world of postmodern art is a run-down hall of mirrors reflecting tiredly some innovations introduced a century ago. It is time to move on.”
On October 6th, 2003 The Foundation for the Advancement of Art presented this conference at New York’s Pierre Hotel. David Kelley, a philosopher, gives the talk Art and Ideals.
0:05 Stephen Hicks introduces David Kelley
1:54 Chavet Cave, images, music. Why artistic artifacts? Some evolution theories.
7:00 Universality of Art, cognitive and emotional needs. Concept of abstraction; language, science. Foreknowledge.
10:27 Earliest narrative in written form, The Epic of Gilgamesh. Choice, normative concepts, good and bad.
12:39 Moral codes, emotions. Issues of life and death why through art? Concept of love. Homer, Shakespeare. Art gives the power of immediacy to our abstractions.
21:20 Modes of the ideal. Polyclitus, exemplars such as Christ through Michelangelo. Beethoven, Chopin, Delacroix. Hunger for ideals.
On October 6th, 2003 The Foundation for the Advancement of Art presented this conference at New York’s Pierre Hotel. Vision scientist, Dr. Jan Koenderink, gives his talk, Science and Art in the 21st Century, a brief introduction by Stephen Hicks. Jan Koenderink is a Dutch mathematician and psychologist known for his researches on visual perception, computer vision, and geometry.
0:03 Stephen Hicks introduces Jan Koenderink.
1:32 Cortegiano, science and art were commonly dicussed. Artists also considered themselves scientists, John Constable.
6:00 Formal and mathematical sciences are often subjects that are difficult to visualize, remote from daily life.
8:17 The rise and fall of physics, 20th century science reductive, emerging sciences, the importance of perception.
15:40 Psycho physics and ecological optics, problem of pictorial space, depth, surfaces. Painters communicate spatial depth from mind to mind. Hildebrand. The viewer’s perspective of art.
21:20 Material properties. Hollwywood images of people vs. painted portraits. Gloss and texture, reflection of light. Physics of recreating natural looking faces. Softness of skin, scatters light. Need new ways of scientific method for optical and artistic concepts.
One of the more poetic events in The Fountainhead by Ayn Rand is when the protagonist, Howard Roark comes to watch Dominique posing naked for Mallory’s marble sculpture. The sculpture is of the human spirit destined for the Stoddard Temple. The three of them experience a perfect synergy of admiration, creativity, and beauty.
Further plot events see the destruction of the Stoddard Temple, one of the many painful obstacles Roark needs to overcome to continue his unique and innovative vision of architecture.
Stills from Song of Songs starring Marlene Dietrich and Brian Aherne
In a way, we can look at art history and see some patterns similar to The Fountainhead that include the beautiful nude, innovations, and the power of the creative artist.
Figure the Future
By Michael Newberry
Presented by The Atlas Society, 2008
Michael Newberry reflects on how the nude supports the best within us and shows that it has been present at the conception and implementation: of democracy; of systematic philosophy; and of art history.
0:17 Introduction by Robert Bidinotto
2:33 The Nude as the Personification of the Individual
The Status of Clothed Figures
Ramasus, Queen Elizabeth 1, Ingres, Millet, Whistler, Wyeth, Pearlstein, and Richter.
On October 6th, 2003 The Foundation for the Advancement of Art presented this conference at New York’s Pierre Hotel. Stephen Hicks gives the introduction to the conference and to Michael Newberry’s talk, Innovation in Art. Part 1
0:09 Stephen Hicks Introduction
3:03 Michael Newberry Innovations in Art
4:11 Zuburan, Mondrian, John Moore
6:05 Color and Light Theory, Vermeer, Monet, Rothko, Rutkowski
7:59 Illustration of Ideas, Bosch, Magritte, Larsen
10:48 Rembrandt, Van Gogh, Newberry
12:54 Form, Henry Moore, David Smith, Martine Vaugel
14:17 Sublime, Egyptian, Michelangelo, Stuart Mark Feldman
Michael Newberry is Artist-in-Residence at The Atlas Society. He has exhibited in New York, Los Angeles, Athens, and Rome. In the Fall of 2017, he has a solo show at the White Cloud Gallery in Washington D.C. Follow him on Instagram at @artnewberry.
On October 6th, 2003, The Foundation for the Advancement of Art presented Innovation, Substance, Vision–The Future of Art at The Pierre Hotel in New York City. With a panel of philosophers, artists, and scientists, the conference addressed the importance and future of art. Continue reading →
Painting Denouement was a chance to live inside glowing, colorful light and to express through art what love feels like to me.
Puccini, Polyclitus, Aristophanes, Beethoven, and Michelangelo rock my world. In their time, they were innovators with a love of beauty, humanity, and passion. Their art was a constant source of inspiration.
There were visual influences for Denouement. But most of the epic works were from “brown” painters, classic technique with a limited pallet in which dark things are brown and black hues. The French Impressionists had a fantastic sense of color harmonies in light and shadow. What I had in mind was to take the best of both and integrate them.