Today in writing the sixth chapter of my book Evolution Through Art, the section on the great Egyptian sculptor Thutmose, circa 1350 BC, I was struck by the similarities of this sculpture of Tutankhamen’s grandfather, Amenhotep III and the famous Gold Mask of Tutankhamen. But I am wondering if the portrait study is not Amenhotep III but a life study of Tutankhamen?Continue reading “Did Thutmose Sculpt the Mask of Tutankhamen?”
I hope everyone is doing okay in these early stages of quarantining. Heartbreaking. Around the start of it I came up with the concept to write this book on aesthetics. I am dividing my time painting, writing the book, and, it seems, washing dishes.
I am writing my first book: Evolution Through Art. I have written the Introduction, and the first two chapters, about 4,000 words. Good early reports back from my copy editor who is a rhetorician! It is a story of how art plays the leading role in our evolution. It is a journey of profound respect and gratitude to the evolutionary artists that had the minds, substance, and courage to follow their truth. Often they fought against tremendous opposition from practical reality, their own arguments, peer pressure, philosophies, religions, and psychologically-impotent sadistic authorities!Continue reading “Update 2, Evolution Through Art: A Psychological and Aesthetic Journey by Michael Newberry”
Beyond Obstacles, Malevolence, and Ignorance
I have been thinking about writing an art book filled with stories, anecdotes, speculation on prehistorical art, real life experiences, and the knowledge of what is it is like to strive for the sublime. Today I started with the title and listing chapter headings.
Psychological Aesthetics and the Exciting Fight to Evolve: Beyond Obstacles, Malevolence, and Ignorance
- Leaving One’s Mark: Taming Powerful Animals Through Capturing Them In Art
- Imagining the Next Step: Willendorf Venus or I Will See You Later Tonight
- Safety in Group Think, Their Fear of the Unknown and the Extent They Will Go Eradicate Evolutionary Nudges
- Wisdom, Truth, and Courage Within: Calibrating Perception, Evaluation, and Emotion
- To Be or Not To Be? To Break Free or to Conform?
- Tears, Love, and Visibility: The Alternate Universe
- The Art Instinct: What Makes Humans Unique Animals?
- Art is the Power That Religion Wants: Control the Artists you Control the Mass Psyche
- Art Transcends Agendas By Touching Individual Souls
- Power Without Wisdom Corrupts Completely: Michelangelo in the Quarry; Postmodernist Malevolence
- Life or Death: Consequences of Integrity
- Freedom of the Sublime
“Lynia” is my first and so far only sculpture. It is dated circa 1978 maybe 1979, I would have only been 22 or 23 years old. I sculpted it at the Free Academy Psychopolis in The Hague, Holland. It was a marvelous school, no teachers! They had models everyday, all day, and they had facilities for printmaking, sculpture, and life drawing sessions. I did this as an exploration to see if I could do it. Even today, I think “wow, this is really good look at that ear!” Even more remarkable is I was never taught figure in drawing, painting, or sculpture–my 3 years of fine art at USC, didn’t teach the figure. They just left us to our own devices and played with postmodernism.Continue reading “My First Sculpture in Clay and Then Finished in Bronze”
There is a magnificent show in the heart of Los Angeles on La Cienega through December 26th that will be one of the most humanist, empathetic, and beautiful exhibitions you will have experienced within the last decade. Tanya Ragir fearlessly dives into our hopes and dreams, regrets, loss, love, and even chaos. Her pieces are the answers to questions about how to handle pain, how to cope, and how to find meaning. My written review of the show here.