The Problem with Equating Form, Light, and Space with Being Old-Fashioned

A Newberry still life recreating how depth gives a feeling of movement between objects.
Olaku's use of twilight to convey depth, light, shadow, and reflections.
Abiodun Olaku, Conversations, oil on canvas, 2014. An excellent example of a contemporary artist integrating form, light, and depth. And notice the groupings of people, as if the more we look we will be able to hear their conversations. Compare this to famous postmodern artists below with their empty, flat, trash devoid of human empathy or perception.

Mediocre artists, forever disappointed that they don’t match up, have a hard time acknowledging history’s great artists.  Michelangelo, Monet, Vermeer, and Rembrandt are hard mentors. One way second-rate artists work around this is to change the rules of aesthetics. The most extreme case is postmodern aesthetics, which obliterates the importance of mastery of the medium, or using any medium at all, and believes shock concepts are the essence of art requiring no skill.

Continue reading “The Problem with Equating Form, Light, and Space with Being Old-Fashioned”

Ellipses: Don’t Start a Still-life Without ‘Em

Ellipse demo Da Vinci

Ellipses: Don’t Start a Still-life Without ‘Em by Michael Newberry

Ellipses make or break any drawn plate, glass, or bottle. When beautifully done they transport the viewer to experience serene harmony. It’s rare not to have a man-made cylindrical object in a still life.

It should not be surprising that da Vinci painted/drew beautiful ellipses. This detail is a from The Last Supper–it is the plate in front of Christ.

Ellipse demo Da Vinci

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Charcoal Drawing Part 2

charcoal drawing demo

Charcoal Drawing Part 2 by Michael Newberry

In Charcoal Drawing Part 1 you will find what are quality materials you need to get the best results.

With this tutorial, I will take you through the drawing stages.

charcoal drawing demo

The preparation takes about 10 to 15 minutes. Now that you have prepared the paper you are ready to roll.

charcoal drawing demo

The charcoal rub on the paper is neither black nor light, but solidly in the middle of the tonal range. Here I am drawing with General’s charcoal pencil 6b. You will notice that I hold the pencil at the back end. It may not seem important, but you might be amazed at how the mark making becomes more fluid.

Continue reading “Charcoal Drawing Part 2”