Gallup, The Glistening Playground, 2009, 30 x 40 inches
Imagination is one of the cornerstones of art. Its use can be quietly subtle, or flagrantly push beyond the bizarre, or inspire generations of people to dream beyond their immediate circumstances and envision a world of possibilities.
One of the more quiet ways to use imagination is to recreate a real scene from life, yet include additional real objects to complete the idea of the work. Here, David Gallup created an idyllic setting of the Pacific Ocean replete with dolphins, birds, and surfers.
O’Keeffe, 1923, Grey Line with Black, Blue, and Yellow
Representational painting, such as landscapes, people, and furniture, is normally viewed at face value. A flower is just a flower; a chair a chair. But the manner in which an artist uses shapes can convey more than the literal content of the painting.
Once you grasp how an artist plays with shapes to convey another layer of meaning it can open up a universe of deeper insight and, sometimes, powerfully erotic subtexts. You may never see art again in the same way.
Ellipses make or break any drawn plate, glass, or bottle. When beautifully done they transport the viewer to experience serene harmony. It’s rare not to have a man-made cylindrical object in a still life.
It should not be surprising that da Vinci painted/drew beautiful ellipses. This detail is a from The Last Supper–it is the plate in front of Christ.
If the artist is going to convey reality, getting the forms right are absolutely essential. The realist artist is also at a disadvantage, in that if they present real objects, these objects have to have believable forms. As simple as forms look in art, they are one of the most difficult things to accomplish.
For example, no spectator is going to believe that the woman’s breasts were concaved, or that the sphere was flat.
Integration is, perhaps, the most complex problem in making art. Often it is the cause of an artist’s agony and ecstasy. In this two part series, each tutorial will focus on one problem and show how the solution fits into the whole.
The theme of Counterpose is about a harmony of contrast. At that time in my life, it reflected my quest to pull together many different aspects of art and life and to balance them.
I have removed the color from this image so that we can focus on the tonal values of the light.
Counterpose, 1990, oil on linen, 36×42″ (Black/white photo)
If you are like most artists, you love to start with a clean oil painting palette. But like most of us, a day or a week of painting goes by and your palette becomes crusty with dried paint. Okay, some of you have decades old palettes that have morphed into abstract sculptures. Nothing can help with that, but for relatively recently dried paint, the following is an awesome way to quickly clean your wood palette.