Portrait Triangulation Time-Lapse 24 sec. One of the great drawing tools is triangulation. You fix two points, for example, the bottom of the chin and an earlobe, from these two points you find the angle of a third point. You now have three points of reference. Using any of the two points you established you find another third point. It resembles something like a star chart.
When the axis lines are erased you end up with a very natural looking object.
27-sec time-lapse of a pastel color study for the painting Adam. Pastel on dark paper is drawing pure color vibrations – pulling out the color and the light. The technique I use is to build towards the light using spaced strokes and a light touch.
Figure the Future
By Michael Newberry
Presented by The Atlas Society, 2008
Michael Newberry lives in Idyllwild, California with his dog Frida. He has exhibited in New York, Los Angeles, Athens, and Rome. He shows at the White Cloud Gallery in Washington D.C. Follow him on Instagram at @artnewberry.
Thanks to Dana Ross for the video and audio.
About expressing being one with the Universe, anatomy, how does the light drive home the theme, color theory, and layers of techniques that merge with the theme.
On October 6th, 2003 The Foundation for the Advancement of Art presented this conference at New York’s Pierre Hotel. Stephen Hicks gives the introduction to the conference and to Michael Newberry’s talk, Innovation in Art. Part 1
0:09 Stephen Hicks Introduction
3:03 Michael Newberry Innovations in Art
4:11 Zuburan, Mondrian, John Moore
6:05 Color and Light Theory, Vermeer, Monet, Rothko, Rutkowski
7:59 Illustration of Ideas, Bosch, Magritte, Larsen
10:48 Rembrandt, Van Gogh, Newberry
12:54 Form, Henry Moore, David Smith, Martine Vaugel
14:17 Sublime, Egyptian, Michelangelo, Stuart Mark Feldman
Michael Newberry is Artist-in-Residence at The Atlas Society. He has exhibited in New York, Los Angeles, Athens, and Rome. In the Fall of 2017, he has a solo show at the White Cloud Gallery in Washington D.C. Follow him on Instagram at @artnewberry.
For the last year or so I have been painting from the most distant background space and carefully painting in stages to the foreground. I love it! It helps create spatial movement as if a spatial pattern emerges. It also enables me to take more time with details knowing that I don’t have to redo them a thousand times. I can’t say if it is easy or not, I have a few decades of painting every day, but it has worked well with students. Try it!