I studied with Michael Newberry for a year, and twenty five years later still use at least one thing which he taught me—about color theory, massing of shadow, the ranking of lights and darks, and sketching the figure, finding the lyrical line—every single day in my studio. He is a skilled communicator, a passionate artist and instructor, and my year studying with him was one of the best investments of my career. I would recommend Michael’s instruction one hundred percent.
Michael will help you evolve no matter where the level of your skill might be. He will guide you and help you with good techniques but at the same time, he respects the integrity of your personal artistic skill by allowing you the freedom to be yourself within your own art. I enjoy his mentorship. Within 6 months under his guidance and personal attention to my artistic needs, I am painting like there is no tomorrow, after each session, I could see how much I’ve learned and continue to evolve, it’s a life changing experience for me!!!
Chan LuuContinue reading “Student Testimonials”
With this Animal Lifted Embargo Series, I am refining my hierarchy of subject values. Humanity is at the top, consequently, I paint/draw individuals filling the universe of the canvas or paper space. Animals are a far distant second place, recently insignificant, but I am now enjoying placing them in landscapes as minor players. It makes me feel peaceful and the experience of painting them feels a bit magical. If I made them the same size as humans (allowing perspective truth etc) I would be extremely uncomfortable with that.
Michael Newberry, Idyllwild, 3/7/2020
Newberry Art Tutorials
Colored and dark papers can save you precious time and give you amazing effects. When I paint/draw/teach plein air I try to nail the impression in under an hour, it is a race against the planet moving. As the sun slowly moves across the landscape you will see new cast shadows, new lights, after 3 hours they all cancel each other out leaving you with muck. So in keeping the time short using the dark paper can be a huge advantage.
The idea is the paper is your dark areas, sketch in the composition and leave the darkest part alone. From there you focus on bringing out the light, driving towards the light, with the last touches happening in the last few minutes before your hour is up! This approach works wonderfully and it feels magical while doing it.
One of the reasons why leaving the paper alone as darks works is because shadows are the absence of light. The darks don’t need details or labor, leaving them alone creates a atmosphere of mystery that is a perfect foil for all the lights you will be drawing. Save time, effort, and create magic by leaving lots of paper alone. Enjoy!
Below are my pastel landscapes all in under an hour. Take note of the dark areas are just paper.
Newberry Art Tutorials
Time-lapse triangulation of a magnificent convent in France. 34 sec. One of the lessons from our @ProvenceArtExperience workshop April 2019, was how to draw this church’s beautiful interior using triangulation. It is an awesome technique which artists can use to place a few objects like a group of trees and a pond, or more complex things like a portrait or figurative work. The idea is to use two landmarks as anchors and sketch in the direction towards a third point/landmark, making a triangle, now armed with three points you map out like star chart all the relevant points. This process elegantly solves issues with perspectives, foreshortening, and proportions. I think it is the best path to arrive at beauty.