Update on Evolution Through Art

Akhenaten, I will be writing about him and Thutmose in my book, Newberry: Evolution Through Art
Akhenaten
Akhenaten

Celebrating a little bit tonight, lol, with a cup of coffee. I finished Part One of my inaugural attempt at a book. Already been copy edited, thumps up. Finished are the Intro plus 6 chapters, and 17,000 words. Some of the ground will be familiar to artists and art historians, but I hope it will make deep inroads in the psychology of art and give sense of these artists being alive and transcending time.

This is one of the paragraphs from the 3rd Chapter, Trepidation, Art is Not Tangible and Yet …

The early artist would have been shifting valuable efforts away from life-sustaining work towards the abstract pursuit of art. All animals engage in life-sustaining action, but it would appear as if  the artist was rejecting this. Visual art, then as now, has no utilitarian purpose, none whatsoever. Art could not mend things, carve arrows, and build fires. It was not a tool. It did not give warmth, shelter, food, or security. In practical terms it was useless. Diverting resources for such an senseless art adventure would be perceived as a psychosis, the artist having a partial or total break with reality.

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Did Thutmose Sculpt the Mask of Tutankhamen?

Portrait Study Of AmenhotepIII-Thutmose Workshop_Egyptian MuseumBerlin

Today in writing the sixth chapter of my book Evolution Through Art, the section on the great Egyptian sculptor Thutmose, circa 1350 BC, I was struck by the similarities of this sculpture of Tutankhamen’s grandfather, Amenhotep III and the famous Gold Mask of Tutankhamen. But I am wondering if the portrait study is not Amenhotep III but a life study of Tutankhamen?

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