Anonymous art Prankster Bansky adds another twist to the shredded Girl with Balloons by officially titling it Love is in the Bin. As some comedians are great with wordplay Bansky is great with art history play: creating a new work while it was sold at auction; a new way to destroy art; jesting Duchamp while simultaneously making a great anti-art piece; a new variation on trash as art; appealing to greedy capitalists while simultaneously trashing the artifact and doubling its financial value; and poking fun at serious art. You could say Bansky’s cleverness wins, or does it?
Blarney at the Guggenheim by Michael Newberry
A review of a one-day visit to the Guggenheim’s Matthew Barney’s Cremaster Cycle, June 2003.
The Cremaster Cycle exhibition is a project of five films with some of the sets and props that have doubled as installations. A few unique mediums he works with are tapioca and Vaseline. The cremaster is the involuntary muscle that creates the rising and falling of the scrotum.
A Jerry Saltz, art critic for the Village Voice, comments that he has loved everything Barney has done since a 1990 group show: “Suddenly, this 22-year-old appeared naked, in a videotape, climbing ropes, then lowering himself over a wedge of Vaseline and applying dollops of it to his body.”
He continues: “Since then, Barney has been able to do no wrong by me, which is exactly the kind of unequivocal wet kiss from a critic I hate.”
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