Workshop Series: Triangulating the Composition

From Simple Placements to Super Complex Things

The very first thing I teach in workshops is to compose using triangulation. It is a sight method of finding two main landmarks then triangulate to find the third landmark. The problem: when you are just drawing freely it is easily to over generalize, and it doesn’t take much to mess it up. Instead of getting a beautifully natural looking landscape, portrait, or building, you are left with something warped. Often master artists use variations of triangulation and other techniques in their mind’s eye, so you don’t see them literally draw in angles, so it appears like magic when they place things perfectly!

In this pastel drawing I started on the left bank drew the direction of the slope to the right edge, using my finger or pastel stick to mimic the slant. Then using the same technique finding the slant of the center of the palm in relation to the 2 edges.

Triangulating a portrait. 25 sec.

The video above thoroughly details the process. How to use the pencil as a view finder, and using an imaginary clock face. This lesson makes for an excellent class. About 10 min.

In our last workshop in Provence, the wind really picked up and sought refuge in a wonderful church. A church interior had a high vaulted ceiling and windows placed in curved walls, they triangulation really helped get those nuances. This is the demo from there, time-lapse, 34 sec.

Another excellent lesson is Composition in One Easy Lesson, it is about how to make for a brilliant balance within the frame.

BTW, the French Workshop was an amazing experience. Join us for the next one!

Michael Newberry

Lessons From France

Find the Shadows and Bring Out the Light a Few Examples from Our Provence Art Experience Workshop

With Dan Zimmerman, Mathieu Brousses, Susan Surber, Wendy Higbee Carando (guest artist), Luxman Nathan, and Michael Newberry
With Dan Zimmerman, Mathieu Brousses, Susan Surber, Wendy Higbee Carando (guest artist), Luxman Nathan, and Michael Newberry

St. Paul Asylum in St. Remy

Our first morning was a bright windy day as we drove to St. Remy guided by Mathieu to visit and draw at the St. Paul Asylum where Van Gogh was a patient around 1888-9. It was also the period when he did many wonderful works. Incidentally, I did my final art history paper on Van Gogh’s painting of the asylum. We saw the VG bedroom and then we started with our first pastel drawing lesson directly underneath its window.

Our Provence Art Experience Workshop truly began seeing Van Gogh’s bedroom at St. Paul’s Asylum in St. Remy on our first day.

The students under the shadow of Van Gogh’s ghost and unfamiliar with plein air painting/drawing and with each other, and jet lagged they bravely listened to their first instructions. The concern on their faces was apparent.

Continue reading “Lessons From France”