Innovation in Art by Michael Newberry

On October 6th, 2003 The Foundation for the Advancement of Art presented this conference at New York’s Pierre Hotel. Stephen Hicks gives the introduction to the conference and to Michael Newberry’s talk, Innovation in Art. Part 1

0:09 Stephen Hicks Introduction
3:03 Michael Newberry Innovations in Art
4:11 Zuburan, Mondrian, John Moore
6:05 Color and Light Theory, Vermeer, Monet, Rothko, Rutkowski
7:59 Illustration of Ideas, Bosch, Magritte, Larsen
10:48 Rembrandt, Van Gogh, Newberry
12:54 Form, Henry Moore, David Smith, Martine Vaugel
14:17 Sublime, Egyptian, Michelangelo, Stuart Mark Feldman

Michael Newberry is Artist-in-Residence at The Atlas Society. He has exhibited in New York, Los Angeles, Athens, and Rome. In the Fall of 2017, he has a solo show at the White Cloud Gallery in Washington D.C. Follow him on Instagram at @artnewberry.

Imagination

Imagination by Michael Newberry

Gallup, The Glistening Playground, 2009, 30 x 40 inches

Gallup, The Glistening Playground, 2009, 30 x 40 inches

Imagination is one of the cornerstones of art. Its use can be quietly subtle, or flagrantly push beyond the bizarre, or inspire generations of people to dream beyond their immediate circumstances and envision a world of possibilities.

One of the more quiet ways to use imagination is to recreate a real scene from life, yet include additional real objects to complete the idea of the work. Here, David Gallup created an idyllic setting of the Pacific Ocean replete with dolphins, birds, and surfers.

Dali, The Temptation of St. Anthony, 1946
Dali, The Temptation of St. Anthony, 1946

Here Dali uses some realistic elements and then distorts aspects of them to create an imagined world in which the unbelievable interacts with the real.

Gerome, Pygmalion and Galatea, 1881
Gerome, Pygmalion and Galatea, 1881

A variation on the unbelievable subject with the real comes from Gerome’s Pygmalion and Galatea. He conveys the legend of the sculpture of Galatea being so perfect that the stone turned into living flesh. Gerome does make the far-fetched scene look as if this is really happening.

Kandinsky, Improvisation 31 (Sea Battle), 1913
Kandinsky, Improvisation 31 (Sea Battle), 1913

Kandinsky’s Sea Battle conveys a rather freewheeling imagination – an ambiguous collection of forms and colors. Is that a strawberry or blood? A wing of a bird or a splash of water? A sail? A rock? It’s rather like looking for animals, and things in the shapes of clouds.

Delacroix, Liberty Leading the People, 1830
Delacroix, Liberty Leading the People, 1830

Delacroix in Liberty Leading the People uses a great deal of imagination in the subject, a half naked woman leading the masses in a revolt against a regime. Yet, the scene is meant to feel genuinely real–not like a surreal dream or like an impossible physical transformation.

By how an artist expresses their imagination, such as an escape, a playful distraction, as entertainment, or as a beacon, one can get some insights into the artist’s philosophy of life. And see something of your reflection as well.

I hope you enjoyed imagining art in a fresh way.

Michael Newberry
Santa Monica, March 2009

Michael Newberry is Artist-in-Residence at The Atlas Society. He has exhibited in New York, Los Angeles, Athens, and Rome. Follow him on Instagram at @artnewberry.