Update on my WIP Model in the Studio

newberry-model-in-the-studio-wip 4

Today’s update on Model in the Studio, wip, oil on linen, 42×56” It is very interesting that there is a war going on now in the humanities, arts, and in politics. Essentially it’s reason, perception, truth, science, human values, benevolence, resolution, sense, and evolution vs. misinterpretation, manipulation, lies, opinion, ignorance, snark, malevolence, arbitrary, senseless, and devolution. I could not be happier and I chose wisely. Everything in this painting is in the first group, the 2nd group is post modern crap. Hard work and flourishing or bitter rage? Apparently for many people it’s not an easy choice. #lifelessons #figurativeart #wip #contemporaryart #postmodernism #humanflourishing

Ep. 8 Tanya Ragir’s Hard Wisdom Newberry Aesthetic Evolution 11/18/2019

Ep. 8 Tanya Ragir Hard Wisdom Review Newberry Aesthetic Evolution

There is a magnificent show in the heart of Los Angeles on La Cienega through December 26th that will be one of the most humanist, empathetic, and beautiful exhibitions you will have experienced within the last decade. Tanya Ragir fearlessly dives into our hopes and dreams, regrets, loss, love, and even chaos. Her pieces are the answers to questions about how to handle pain, how to cope, and how to find meaning. My written review of the show here.

Ascension Day Reviewed by Ted Keer

Newberry, "Ascension Day", oil on linen, 86 x 70 inches, private collection.

Newberry, "Ascension Day", oil on linen, 86 x 70 inches, private collection.
Newberry, “Ascension Day”, oil on linen, 86 x 70 inches, private collection.

Note: Ted Keer pass away last month, he had a wonderful curious mind, and it was an honor that he wrote something about a few of my works including the review below:

Michael Newberry’s “Ascension Day” is one of my favorite of his non-traditional paintings. I believe that the essence of my enjoyment is the fully worked out form which simultaneously presents both symmetry and asymmetry, beauty and tension, action and self-centeredness.

When I visited his studio, Michael and I discussed his axiomatic concepts of figurative painting which he designates as form, space and light. I don’t wish to comment at length on his theory, but those who wish to know what he has to say should visit his website and read his statements. I did not discuss this specific painting with Michael, and have intentionally not sought his remarks on it, so that I might comment without bias.

Continue reading “Ascension Day Reviewed by Ted Keer”