Lights and Darks in 3’s by Michael Newberry
One big problem that artists face when developing light and shadow in a work is that they tend to have the exact same darks and lights scattered around the surface. The result is that it kills the life out of the drawing!
A great way to solve that problem is to celebrate a hierarchy of lights and darks. The simplest way to do that is to focus on three different tones of lights and darks.
Here I will take you through what I mean.
Dreams of Round Things, 2006, charcoal on Rives BFK, 26 x 19 inches.
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Ellipses: Don’t Start a Still-life Without ‘Em by Michael Newberry
Ellipses make or break any drawn plate, glass, or bottle. When beautifully done they transport the viewer to experience serene harmony. It’s rare not to have a man-made cylindrical object in a still life.
It should not be surprising that da Vinci painted/drew beautiful ellipses. This detail is a from The Last Supper–it is the plate in front of Christ.
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Feeling the Form by Michael Newberry
If the artist is going to convey reality, getting the forms right are absolutely essential. The realist artist is also at a disadvantage, in that if they present real objects, these objects have to have believable forms. As simple as forms look in art, they are one of the most difficult things to accomplish.
For example, no spectator is going to believe that the woman’s breasts were concaved, or that the sphere was flat.
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