In Melbourne, I met Peter Schipperheyn, creator of the magnificent Thus Spake Zarathustra. The monumental piece is at the McClelland Sculpture Park near Mornington. The tension running through Zarathustra’s bowed body as he reaches and affirms his decision is powerful.Continue reading “Stephen Hicks visits Peter Schipperheyn’s “Zarathustra” Sculpture”
The nude in art is one of the greatest means of expressing individuality. It bypasses the status of clothes and symbols and drives the focus towards character through body and facial expression. The nude asks the viewer to share their deeper, more personal thoughts about how they feel about who they are, their dreams, and their deepest beliefs.
Looking at Peter Schipperheyn’s Zarathustra we see a larger-than-life-sized man, arching back, and his head thrown back at an intense angle – the chin raised above the forehead. The body’s tone is taut, yet there is relaxed fluidity from limb to limb. He has the body of a world-class athlete, such as the current tennis great, Roger Federer. The most prominent gesture is the back of the closed fist meeting the open, extended hand.
An abstract aspect of this sculpture is the arc of the entire body – from the heel to the tip of the head. It conjures up the form of a bow, or of a tree limb a limb pulled back. This, combined with the smack of the hand, creates the sense of a springing force. The raised heel is understated, yet very challenging for the artist – it would be much easier to sculpt the feet flat-footed. The raised heel shifts the lower body forward, balancing the backwards arc, and enhancing the athletic litheness. This curve gently pushes the crotch forward, giving the sense of unselfconscious ease.Continue reading “Schipperheyn’s Thus Spoke Zarathustra”