Transparency – A Key to Spatial Depth in Painting Part 2, Color

Transparency – A Key to Spatial Depth in Painting
Part 2, Color

This online tutorial is a transcription from a 2002 lecture I gave at the Courage of Your Perceptions Conference (Satellite to the EC’s Vision Scientists’ Conference) in Glasgow, Scotland.Given a two-dimensional surface, transparency and contrast are a means to place identities/forms through spatial depth.

In Part 1 I discussed how this theory works with gray tonal scales and in paintings with limited color range.  Let’s see what happens when we introduce intense colors.

 

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It’s important to note that contrast in color is not so much about light and dark but, rather, it is about color opposites. For example here is a classic color wheel in which opposite colors, also known as complimentary colors, are juxtaposed. Three major contrasts are:
Red vs. Green
Blue vs. Orange
Yellow vs. Violet

Continue reading “Transparency – A Key to Spatial Depth in Painting Part 2, Color”

3 Visual Axioms: You’ve Got It If You Get It

The inter-connectivity of form, light, and space how they support one another.

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Monet, Sunset

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Titian, La Schiavona, 1510

As a teenager, I traveled a bit and got great pleasure going to art museums. I would quickly move from one room to another, skimming all the paintings at a glance, until one caught my attention. Then, I would stop to satisfy my curiosity or pleasure in that painting.

Only after I had my fill would I look at the signature or the identification card. The painters were names like: Manet, Rembrandt, Rubens, Picasso, Titian, Van Gogh, Monet.

I had a particular way of cataloging my experiences with those artists–I sought out the common “things” that drew me to them. There were stunning and mysterious visual components that I wanted to understand.

Continue reading “3 Visual Axioms: You’ve Got It If You Get It”