Today my piece Postmodern vs. Evolutionary Art is published. Last week I gave a joint presentation with world renown philosopher and friend Stephen Hicks to the first Atlas Summit in Malibu. My part of the presentation I contrasted Louise Bourgeois vs. Martine Vaugel , Martin Creed vs. Abiodun Olaku , Paul McCarthy vs. Tanya Ragir , and Marcel Duchamp vs. Newberry. It was an honor to be invited by the The Atlas Society and present to a great group of young, respectful, smart, passionate adults that enthusiastically engaged with us. #aesthetics #art #aynrand #stephenhicks
For many people, the sexy, entitled lifestyle of living on the luxurious mile-long stretch of Pacific coastline in La Jolla, California in the 1960s was the height of success. For me as a kid it was exhilarating to build up a salty sunburned sweat, leap into the air, and be able to execute a brutal backhand overhead smash on the tennis court. (Later I ended up playing pro tennis to pay for my art education in Holland). Afterwards, to cool off, I’d ditch my shoes and socks and run a few hundred feet from the tennis court and plunge underneath the perfect wave crests made famous by the Beach Boys, All Over La Jolla … Surfin’ USA! The feeling of freedom was omnipresent; no rules, no school if you didn’t feel like going; no homework; and no curfew. It was as if kids had a built in automatic path, their destiny awaiting them, meanwhile they could do anything. There was also stuff you couldn’t talk about … which was way too complex for a kid to cope with. And later shushed because it involved people still alive. I lived in a world of physical fun with an ominous feeling that not all was well when you scratched the surface.