Kant’s idea of the sublime is that it overwhelms our imagination, one example is the mathematical sublime in which the magnitude is too much for us to comprehend, like unlimited stars in the Universe. It can be argued that postmodern artist Christo’s Umbrellas fit the definition.
Poets and Artists published this on September 2nd, 2018.
Romanticist in a Postmodern Art World
In 1998, the year of the above self-portrait, I was living in my rented two-story Turkish house/studio in the Old Town of Rhodes, Greece, which overlooked the Mediterranean and the town’s minarets and domes. Two decades before, as a 20-year-old American, I had started my focused art journey in The Hague, Holland. Between Holland and Greece I moved every few years seeking inspiration from a different culture, a beautiful place, or from a big city’s energy. Everywhere I lived I produced my own pop-up shows, selling enough to keep painting. I tried both New York and Los Angeles a few times, knocking on their art scene doors, but my aesthetic was incompatible with contemporary art institutions. I was a romanticist aiming for my definitive works to have the feeling of a Puccini opera. Meanwhile postmodernists were rejecting art’s evolutionary developments and seriously trying to create from a preoperational cognitive state of mind like Louise Bourgeois. Others like Duchamp, Creed, and Christo sought to be radically original by using shocking, unlikely, and unrepeatable mediums for visual art. Continue reading “Facing the Postmodern Art World”