Michelangelo’s Drawings: The Conceptual Transformation from Touch to Sight

Michelangelo, Study of Haman for the Sistine Chapel, 1511, red chalk.
Michelangelo, Pieta, 1519-20
Michelangelo, Pieta, 1519-20

Conceptual Flip

One of the most rewarding studies of painting and drawing is discovering how a thought, perception, or emotion is transformed into a purely visual medium. Michelangelo’s drawings serve as examples of translating the perception of touch to sight. In other words, his drawings convey to our sight not what we would see but what we would touch.

Continue reading “Michelangelo’s Drawings: The Conceptual Transformation from Touch to Sight”