Synergy

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Newberry Synergy oil paintingSynergy
oil on linen, 82 x 66 inches, studio inventory.

Laying down in a closed, dark, tiled space, too young to understand, too inexperienced to sort through feelings, and in too much pain to be aware of the world around him, the ten year old had no choice but to examine everything–or face oblivion. Deep inside him surfaced a feeling of goodness. That feeling would ultimately anchor him to life and earth.

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Transparency – A Key to Spatial Depth in Painting Part 2, Color

Transparency – A Key to Spatial Depth in Painting
Part 2, Color

This online tutorial is a transcription from a 2002 lecture I gave at the Courage of Your Perceptions Conference (Satellite to the EC’s Vision Scientists’ Conference) in Glasgow, Scotland.Given a two-dimensional surface, transparency and contrast are a means to place identities/forms through spatial depth.

In Part 1 I discussed how this theory works with gray tonal scales and in paintings with limited color range.  Let’s see what happens when we introduce intense colors.

 

colorwheel.JPG

It’s important to note that contrast in color is not so much about light and dark but, rather, it is about color opposites. For example here is a classic color wheel in which opposite colors, also known as complimentary colors, are juxtaposed. Three major contrasts are:
Red vs. Green
Blue vs. Orange
Yellow vs. Violet

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Transparency – A Key to Spatial Depth in Painting Part 1, Black/White

Art Tutorial
Transparency – A Key to Spatial Depth in Painting
Part 1, Black/White

This online tutorial is a transcription from a 2002 lecture I gave at the Courage of Your Perceptions Conference (Satellite to the EC’s Vision Scientists’ Conference) in Glasgow, Scotland.

We have examples of artworks from 30,000 years ago to the present in which artists have worked with spatial depth in their drawings and paintings. I have been fascinated by this phenomenon and, for years, I have asked myself how did these artists achieve these startling effects. The result of my query is the formulation of the concept that:
Given a two-dimensional surface, transparency and contrast are the means to place forms in spatial depth.

Transparency will place the forms in depth away from us, and contrast will raise them towards us.

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