Postmodern art history is rife with short-lived movements–someone tries to reduce art to scratches, to emptiness, or to Vaseline. It is like a species that doesn’t have enough code to evolve and consequently dies.
From Modern to Postmodern Art by Dr. Stephen Hicks, philosopher. From October 6th, 2003, The Foundation for the Advancement of Art presented this at New York’s Pierre Hotel.
First published by The Atlas Society. It is rare in our contemporary postmodern culture that its representatives get a smack down. But that is what happened with the Tyler Shields’ photoshoot with Kathy Griffin holding a realistically-rendered decapitated head of Donald Trump. Massive public and professional fallout ensued, and no one was going to let …
There are people in the world who can’t stand to see that beauty and creativity exist. The guy who took a hatchet to the Pieta of Michelangelo. The Taliban leader who chose to blow up the Buddhist cliff sculptures.
The Tufts project by Jenny Polak does two things that are classic postmodern sabotage. They use the esteemed status of art, made possible by great artists, to elevate a protest to a grander status. And by dedicating their reputation, resources, and their art department to juvenile protest posters scattered around the campus they suck the life out of aesthetic innovation, advancement, and the soul of art.
Michael Newberry’s presentation of the contrast between insanely praised postmodern artists with the most innovative and forward looking figurative artists practicing right now.
On October 6th, 2003, The Foundation for the Advancement of Art presented Innovation, Substance, Vision–The Future of Art at The Pierre Hotel in New York City. With a panel of philosophers, artists, and scientists, the conference addressed the importance and future of art.
One of Postmodern Art’s important contributions to art history is cheek. But, far from being simple, there are several requirements that need to be met for a successful postmodern work.
There is a newly-discovered version of the legend of Pandora’s Box. In this third version insanity, despair, and hatred had overrun the world and Pandora, driven by a sense of hope, opened the box by unlocking it with a key. Out from the box rose up all the glories of humanity and they spread throughout the world with undiminished splendor. Pandora discovered that the glories had never disappeared, but it was humankind that had lost the key to identify the magnificence that lay before them.
… pathetically, only Hope remained inside. In the other version the box held all of humanity’s glories. When she opened the box progress, knowledge, and exaltation vanished into oblivion, forever lost to humanity.